It seems my relationship with Colette Patterns is having a bit of a renaissance as I have made my second Colette pattern in two months and it has been a great experience. The Myrna dress came out recently and I fell hard for it and got it immediately. It hits that sweet spot of seventies does forties for me. Then I received the prettiest viscose in my February box from Sew Hayley Jane:
It’s from Art Gallery Fabrics and it’s from the Tiny Dancer series. I knew it would become the Myrna dress immediately. It’s floaty and summery and the dress could become a perfect summer party dress.
This was a nice pattern to sew. It runs true to size and everything came together perfectly. After Claudette this is another great experience with a Colette pattern. I know they lost their mojo for a while, but I’m definitely enthusiastic again about the patterns. I didn’t make any alterations to the pattern and am very pleased with the fit. It’s only fitted at the waist and I chose my size based on finished measurements. I chose to have 2 centimeters ease. There’s 3 darts on the back neckline and the front is shaped by gathering. The gored skirt has 8 skirtpieces.
I used a couple of different finishes on this. The neckline was finished with foldover elastic. This will ensure that the neckline won’t stretch out and gives it the perfect amount of body.
I finished the seams with pinking scissors. This gives you a finish that won’t show up on the right side of the fabric, which is very nice with lightweight fabric like this. I used a rolled hem on the bottom and sleeves.
Will make this again!
Remember this dress?
It was inspired by this Burdastyle dress:
I did not have enough fabric for the real thing, but I kept thinking about a white version of this dress and so I bought fabric and traced the pattern (I always put off tracing, but it’s never as bad as anticipated). I used my new rotary cutter and it made the proces of cutting so much faster. The pattern itself was easy to sew up. I didn’t use the instructions. My order of sewing has been firmly ingrained by my sewing teacher. I did read through the instructions to avoid making the same mistake I made with my Orsola (I sewed up the straps first, not the way to go). I sew up the entire front first, then the entire back, add sleeves, sew the sideseam in one continuous flow, finish neck, sleeves and hem.
I got the fabric from here. It’s called optical white and lovely to work with. The pattern calls for 3 metres, but because the fabric is broad I managed to cut it out of two metres instead. There was a slight cutting mishap on the front bodice, which I discovered after attaching the knot and skirt and then decided to fix by making a yoke.
I’m pretty happy with this dress. It’s nice for those inbetween seasons months, like March and October.
Will definitely make again. Maybe not with the yoke though 😉.
I have been intrigued by this dress ever since seeing Devin Iott’s version, but it didn’t feel like a pattern that would look good on me. Because it kept popping up in my imagination I decided to wait for a sale and then get the pattern to get it out of my head.
I decided on making this first in a fabric that I didn’t really like:
At first I made the midi version, but that did not work on me (sadly no photo to demonstrate this). I think I like the shape on me? I’m still not sure! I did know I wouldn’t wear it as was, because it reminded me of a hospital gown. So I dyed the dress tulip red (as it says on the package).
I like it a lot now! Construction wise this was a breeze. I lowered the pockets to create less bulk around the hips, but otherwise this is as the pattern was intended. If I would make this again (which I might), I would use either a heavier fabric than this cotton lawn or a more drapey fabric.
The Orsola dress has been on my radar ever since it was introduced. I love the sleek lines and the simple elegance of this dress. I wasn’t sure how it would fit on me, but I wanted to try it anyway. For this version I used the Dashwood Studios Copenhagen Blue Leaf fabric I got in my december box from Sew Hayley Jane.
It is a nice pattern to sew. All pieces line up and there’s a lining and the tulip hem to sink your teeth in. I understitched the facings and the lining. I took my time finishing everything the prettiest way I could.
I’m not completely happy with it as is. For my next version there will be a couple of changes. I will take out some of the curve of the skirt. It has to much room at the hips now. I will lengthen the skirt to hit me at the knee. I will also use a more drapey fabric for my next version. I need to stand a certain way to make sure the back doesn’t gape and I think this is mostly because of the fabric and it’s lack of drape. It doesn’t move with my body the way it needs to for this dress. But I will definitely make this again as I loved making it and still love the dress.
If you are planning to make this I would definitely recommend making a toile!
I’m never sure when to use the word hack when sewing. I think this might qualify:
I really like the Deer and Doe Givre dress and as I am a fan of their drafting I was happy to buy it. On a whim I decided to change the skirt to an A-line, which is my favourite type of skirt, as I liked the fabric (ponte from Cotton Reel Studio) so much and knew that I most often wear the dresses in my wardrobe that have A-line skirts. I slashed and spread the pattern until an A-line was achieved, smoothed the new lines and that was it.
As always Deer and Doe have produced a well drafted pattern, with every notch and seam lining up and reliable sizing. It’s a quick and easy project and exactly the shape I like.
You all probably are familiar with this fabric:
It’s the Rifle paper co. Les fleurs print of Cotton + Steel in navy and I love, love, love it. I bought it in three colours and made things with the red and periwinkle, but I want the dress I’ll make with the navy fabric to be the best dress in the universe ever. There’s a couple of contenders for the pattern I’ll use and I want to test out these patterns first before cutting into the preciousssss….
First up is this one:
It’s the Annabelle dress from Simple Sew. It came free with Love Sewing mag and has been a contender for the Les Fleurs from the start.
I made it in a viscose from Weaverdee. It’s still available at the moment.
It was surprisingly easy to sew. In my head I am very much a beginner, but I guess I’m not and should be finding projects to level up with. I did not use the instructions and looking through them now, I realise that I had a very different order of construction. I sewed up the front first, then the back, added the sleeves, then the neckband and facing. Oh well, it turned out well I think. I reinforced all seams with hemtape. The viscose frays just by looking at it, so it needed something to hang on to. All pieces went together without any problems and sewed up great. Only thing I would change on a second version is taking in the neck a bit. I have small shoulders apparently, because that’s something I have to deal with often. Definitely a contender!
The above dress is from the 2017 August edition from Burda. It’s the first Burdastyle magazine I got and it’s a really good edition with some beautiful dresses with retro touches and interesting details.
I made this dress before:
That version was made in a teal ponte and I wear it at least once a week.
Now comes the part I’ve been debating myself about: how honest should one be on a public blog? Usually when I outright don’t like something I just don’t blog or post about it online. I don’t feel I need to be negative about things I don’t like when I can be positive about things I do like. If you give attention to things you love these things will grow. But the fact that I didn’t like the fabric of the dress I made is instrumental in how I ended up feeling about the dress. I love ponte and stable knits and sew with these all the time, but I loathe scuba. I worked with it once and I would describe the feel of the fabric as ‘blegh’. I really don’t like the synthetic feel of the fabric and the synthetic way it moves and drapes. I don’t like the feeling of it on my skin either. That one dress I made never got worn. When I thought about making that dress into a Grainline Morris blazer I changed my mind during the cutting (and touching) of the fabric and just chucked it into the bin. So when someone gave me two metres of crepe scuba I was not delighted with it. But I also didn’t want to be ungrateful and I tried to think of a suitable pattern for this fabric, maybe something to wear in winter so it wouldn’t feel sweaty, just nice and warm. I decided on making another version of this Burdastyle dress and here it is:
Construction wise this is a pleasure to make. It’s really straightforward and there are no complicated bits. I understand people find the instructions sparse, but for a dress like this that doesn’t matter. This is my only experience with Burda so far, but I am looking forward to making a lot more patterns from the magazine. I subscribed to the magazine after buying the September edition too and every edition has at least three garments I really love and want to make. I don’t love the tracing, but Swedish tracing paper does help with seeing the lines.
I still don’t like scuba. Since making this dress I’ve had it in my hands three times when deciding what to wear for the day and all of those times I chose something else to wear. The sponginess of the fabric really puts me off. I don’t think I will wear it a lot, maybe I’ll end up not wearing it all. No more scuba for me. If I do end up with scuba again I’ll just give it to someone who does appreciate it.